Sonorous Object-Oriented Ontologies (1979–89).Sonic Alienation and Psytech at War (1971–77).Cosmos Philosophy and Thought Synthesizers (1959–68).Ambient Novum, Alien Novum (1950–59).The Origins of Sonic Science Fiction (1924–50).Joe Meek and the Blue Men “I Hear a New World” (1959) So strange and so real, Haunting me . . .
| Includes bibliographical references and index. Description: Minneapolis : University of Minnesota Press. Title: The sound of things to come : an audible history of the science fiction film / Trace Reddell. Library of Congress Cataloging-in-Publication Data Names: Reddell, Trace, author. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401-2520 Printed in Canada on acid-free paper The University of Minnesota is an equal-opportunity educator and employer. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Copyright 2018 by the Regents of the University of Minnesota All rights reserved. Material on the Vortex Concerts originally appeared in “Cyborg Ritual and Sentic Technology in the Vortex Concerts,” Sonic Acts XIII-The Poetics of Space: Spatial Explorations in Art, Science, Music, and Technology, edited by Arie Altena and Sonic Acts (Amsterdam: Sonic Acts Press, Paradiso, 2010). Readers will find playlists, podcasts, and other Sonic Science Fiction material at. The University of Minnesota Press gratefully acknowledges financial support for the publication of this book from the Emergent Digital Practices program, the Department of Media, Film, and Journalism Studies, and the division of Arts, Humanities, and Social Sciences at the University of Denver. University of Minnesota Press Minneapolis London THE SOUND OF THINGS TO COME AN AUDIBLE HISTORY OF THE SCIENCE FICTION FILM Sonorous Object-Oriented Ontologies (1979–89).
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